J.P. 杰克逊出生于1956年。 他对摄影的兴趣是由他父亲激发出来的。 50多年来，杰克逊一直对摄影充满热情。1970年代中期，他有机会在佛罗里达大学跟随Jerry N. Uelsmann和Todd Walker学习摄影。从1977年到1980年，杰克逊在加利福尼亚海事学院学习，1980年他获得了航海工业技术的学士学位和无限期三副执照。 从1980年到2013年，他在远洋货轮上航行，担任甲板官和船主。从海上的职业生涯退休后，杰克逊再次回到摄影的生活中。在过去的6年里，他自学了几种手工影像工艺，包括蓝晒 、铂钯、重铬酸胶、碳素和凹版印刷。杰克逊选择使用模拟胶片，他的所有作品都是手工制作的。他仍然喜欢在人造的摄影纸上制作银胶版画。 杰克逊的模拟胶片摄影作品是基于菲尔-戴维斯和BTZS（超越区域系统）的著作和教学。通过使用感光度计和胶片、纸张和显影测试，可以在模拟胶片摄影中进行定量控制。我的图片制作是一种个人喜好，这涉及到我对周围世界里不断的互动感知。 它就像一种 "呼唤和回应"，这是一种考验，并且会给我带来快乐。我希望通过分享我的照片并且与他人进行交流来促使我创造作品。我更多使用 "慢门 "摄影的方式，因为它更适合我的风格，而且模拟摄影作品的质量可以非常漂亮。

HLiiC网站上发布的照片凹版印刷作品，是使用全色摄影胶片作为底片进行图像采集。这些底片在暗室中被放大到正色摄影胶片上，制成胶片正片。胶片正片用于曝光感光树脂板--该板在水中蚀刻并变硬--然后在使用蚀刻机印刷图像之前对该板进行上墨和擦拭。他的作品可以在这里看到：http://www.ipernity.com/home/jpjackson

https://www.instagram.com/jackson_john_p/

J.P. Jackson was born in 1956.  His interest in photography was stimulated by his Father.  Jackson has been passionate about photography for over fifty years. In the mid 1970’s he had the opportunity to study “Photography and Fine Arts” with Jerry N. Uelsmann and Todd Walker at the University of Florida.

 From 1977 to 1980 Jackson studied at California Maritime Academy where in 1980 he received a B.S. degree in Nautical Industrial Technology and an Unlimited Third Mates license.  From 1980 to 2013 he sailed-worked on ocean going cargo ships as a deck officer and ships Master.

After retiring from his career at sea; Jackson once again got serious about making photographs. Over the last 6 years he has taught himself several alternative photographic processes, including cyanotype, platinum-palladium, gum dichromate, carbon printing and photo intaglio print making using copperplate and photo polymer plates.

 Jackson chooses to work with analog film and all of his prints are made by hand. He still enjoys making silver gelatin prints on manufactured photographic papers.  Jackson’s analog film photographic work is based on the writings and teaching of Phil Davis and BTZS (Beyond the Zone System).

By using sensitometry and film, paper and development testing it is possible to have quantitative controls in analog film photography.

My picture making is a personal need that involves constant interactive perception of the world around me.  It is like a “call and response” that challenges me and sometimes brings me joy.

My wish to communicate with others, by sharing my pictures, motivates me to make prints.

I practice “slow” photography because it suits my nature and the quality of analog photographic prints can be very beautiful.

The photo intaglio prints, posted on the HLiiC web site, are made using panchromatic photographic film for image capture as a negative. These negatives are enlarged in the darkroom onto orthochromatic photographic film to make a film positive. The film positive is used in exposing a photopolymer plate – the plate is etched in water and hardened – the plate is then inked and wiped before printing the image using an etching press.

Some of his work can be seen here: http://www.ipernity.com/home/jpjackson

https://www.instagram.com/jackson_john_p/